Drinking with Czechs

Last night, I went for beers with colleagues from my first, bad job in Prague (an agency that spat out an endless supply of banner ads and sitelets for Vodafone– my co-workers were really nice, but the work was shallow and boring). When I started this first job, I was naturally curious about the drinking habits of my Slavic colleagues, and especially about a certain workplace convention– previously unknown to me– called ‘shots in the office’. Back in the US, I worked at a few places that contrivedly attempted to let their hair down on Fridays and have would beers in the office as the weekend approached, but hard liquor was another story altogether. At this first Czech job, in contrast, I’d be intently hunched over my computer attempting to meet an end-of-day deadline for some inane Vodafone thing when I’d feel a discreet tap on my shoulder, turn around and see Jirka or Lenka or Pavel making the international ‘let’s have a shot’ motion. A bunch of us would scurry into the conference room, where somebody would produce a bottle of slivovice (plum schnapps). Everyone would toast and down a small shot, then busily run back to their battle stations to resume working. Lest this sound too primitive and iron-curtain-ish, I should add that these co-workers were distinctly up-and-coming-professional types– hardly anyone in the office smoked cigarettes, and the general office atmosphere was very trendy and hip in manner of ad agencies everywhere.

Last night, we met at a bar called U Zlatého Tygru (‘At the Golden Tiger’) that’s one of the most representative classic old fashioned Czech bars. The moment I walked in, I thought, “I wonder if this is the bar that Václav Havel famously took Bill Clinton to?”. Soon enough, I was informed that it in fact was the very bar. I would tell you more about the place, but it was hard to see with water gushing out of my eyes from the 50 cartons of cigarette smoke floating around in the air. Rest assured that I was having as good a time as Bill is enjoying in the photo above. I wonder who the guy on the left is– trusted Havel advisor, or random barfly? I wonder what kind of Czech bar food they ate (probably something hideous, given the year). I wonder if Bill remembered to order some wiener schnitzel to go for Monica (heh heh).

Anyway, as I’ve mentioned before here and here, Czechs sure do love their old fashioned bars. There are few places where anyone feels inclined to try to look or act cool– generally, a kind of relaxed slobbery prevails. As evidence, I present this handsome specimen whom I photographed a few years ago at the spot around the corner from my current job (on a Friday evening, no less– one can only assume that this was his special ‘going out’ outfit):

Associated Research Partners

Last night, I was talking with friends about the some of the dreadful stopgap jobs we held between the ages of, let’s say, 18-23. I know a few purposeful, self-directed people who proceeded straight from college onto meaningful, rewarding work, but lord knows I wasn’t one of them. Pretty much the consummate late-bloomer, I found these people as baffling and exotic as a hetero unicorn. In my recollection, the period of entering the workforce felt much more like the opening minutes of Saving Private Ryan: trepidatiously heading out in a vast, dangerous expanse where the rules of engagement are not very clear and you’re liable to be met with a hail of bullets. (Now if only it had been more like the opening minutes of Shaving Ryan’s Privates– that would have been much more accommodating).

My friend got things rolling by describing a dubious job he held where his role was to enter various high-rises, walk into a particular establishment and pretend that he was doing student research on the company– in actuality, he was in the pay of some giant realtor and was supposed to rat out when the company’s lease expired so his overlords could swoop in and take it. This immediately hit upon a common thread in our crappy early jobs– most of them had a distinctly morally-compromising flavor. For my part, I worked for two days at the O’Farrell Theatre sorting timecards of strippers by stripper name (Mystique after Mercedes, etc). I was an admin for an all-female Real Estate firm in the Marina (talk about being marooned on a foreign beach). When I was 18, I walked up to a new-looking establishment to see if they were hiring, only to discover that it was a fake movie-set building for Sister Act 2: Back In The Habit (not the first time and not the last that I’ve been bamboozled by Whoopi Goldberg, I can tell you). The only fun job I ever had during those years was later that summer, working on Telegraph Ave in Berkeley selling cheap jewelry on the street.

The most fascinatingly sinister job of all for me was also my first official paid design gig: building and maintaining the web site for the term paper kingpin of San Francisco, one of these guys who sells pre-written term papers to students. I’m not going to name the company or link to the site or anything because the TPK is sensitive about publicity and might have my legs broken. But, somewhat amazingly, the site is still up and running, now 12 years old and still generating the occasional pre-written term paper sale. At one point (before the business fled to India and other distant locales) the TPK and other plagarini were doing so much business that SF State briefly adopted a policy of including the following question in its undergraduate final exams: ‘Briefly describe the contents of your own term paper.’ Needless to say, this shot ’em down in droves.

One of my favorite bits of term paper lore was the fact that the TPK maintained a legitimate shadow company so that he could point to something non-term-paper-oriented that he was involved in if circumstances demanded it for whatever reason. Seeking the most vague, inscrutable business identity possible, he settled on Associated Research Partners, a company that ostensibly had something to do with import/export market research. In reality, the company did virtually nothing at all– it was just standing idly by in case the TPK needed a clean change of clothes to jump into– and consisted of one dedicated phone line running into the back of his office. Nevertheless, maybe once or twice a year, this phone would ring, necessitating a awkward clamber to the back of the office to pick up the dusty handset, at which point (in the TPK’s words:) “the curtain would go up on Associated Research Partners.”

So here’s to you, Associated Research Partners. Today, this blog salutes you.

Farewell, Blind Eye

I forgot to write anything about what I did on my birthday last Saturday. First, we got a babysitter, which was great… and unchartered territory for us. We’ve had family members look after the little guy from time to time, but this was our first hired mercenary. I’ll tell you, you haven’t truly felt like a grown-up until the first time you pull out your wallet to ‘pay the babysitter’.

Then, after dinner, we went to the closing party for the Blind Eye, the one and only real Mission-style dive bar in Prague. Just about every other bar in this city either involves sullen Czechs sitting at tables being served beer in formulaic fashion… or rampant tourist buffoonery… plus there are a few weird meat-market places for professional types in their 30s that I’ve only gotten a fleeting glimpse of. The Blind Eye was about the only place where people would drunkenly mill around and mix; the bathroom door’s broken; there’s no light in there so you have to leave the door ajar a bit to do your business; but you’re afraid to see what’s on the floor so you don’t want to open it too much, etc– you know the drill. My friend was so enamored of the place that when he wrote a manuscript loosely based on his own debauched experiences in this Zizkov neighborhood, the action partly centered around a  thinly-veiled bar called ‘The Other Cheek.’

The Blind Eye officially closed two weeks earlier with a farewell party that I missed because I was in Berlin. In the annals of ‘Wow, that didn’t take long’, though, they predictably re-opened for  ‘one final night’ to raise funds for some future incarnation of the bar at a new location. You could tell things were really on their last legs when they ran out of beer at 2am. It seems that my Berlin buddy and I got the last two ever served beer in that fine establishment, which is a nice closing note.

(Photo: Kristýna Holubová, stolen from her Facebook album)

Concrete Serengeti

A few nights ago, something inspired me to google the name of a sorely-missed friend of mine who’s been dead for 10 years, a guy named Joe Schactman. Joe was a serious artist and a big influence on my decision to get into graphic design– hell, when we first met, he was about the only person who could tell me anything about graphic design. The nascent internet sure didn’t have much to say, and you couldn’t find anything of note at the public library. I keep a photo on my desk of him sitting in our backyard, focussedly whittling away on a tiny bit sculpture in his hands– Joe was always working on something, so I try to leverage my memory of his industriousness to remind myself to stop procrastinating and get back to work.

Fortunately, the internet has come along way in the last decade, so my google search of two nights ago led me right away to the Flickr page of another old friend of his who has posted this Schactman drawing ‘PAIR OF LIZARDS’:

One fun thing that Joe would talk about from time to time was the various bizarre live-work spaces that he inhabited as a rag-tag artist in New York City in the late 70s and early 80s. One place, in particular, that he lived in was a giant abandoned factory building somewhere in (if I recall correctly) Williamsburg. Space was rented out for a song to artists, who had all the room they could possibly need there, but the problem was that the place was so vast that you couldn’t realistically heat it in wintertime. So, everyone who lived there would make some kind of teepee-like structure, a tiny sub-unit that they could sleep in and afford to heat. The overall effect, as Joe described to me, was like living in the Serengeti, except you’re also in a giant factory building. In the morning, you would creep out of your tent and start making coffee outside, and then gaze across the vast cement expanse to watch another groggy nomad emerging from his or her tent as well at some great distance. Perhaps friendly salutations would be exchanged or (I like to imagine) some hostile fist-shaking if neighborly relations were momentarily strained. This idea of recreating these kind of primitive tribal patterns within a giant cement enclosure entertains me to no end.

Majáles

Apologies for the oh-so-crappy image quality. These are actually photos (taken with my iPhone) of photos of a Czech festival called Majáles that my wife’s father showed us while we were visiting him in Karlovy Vary. I guess these are from the late 1950s, although I didn’t ask. That’s him among the ladies, dressed– ahem– in blackface. And again:

Majáles was a student celebration that took on political undertones through the 1960s and directly led to the demise of the Novotný presidency in favor of the liberal reformer Dubček (which, in turn, led to the Big Depressing Thing That Happened In 1968, i.e. the Russian invasion and subsequent smack-down). Basically, it looks to me like a genteel predecessor of the Love Parade, minus the stampedes.

While poking around for more information on Majáles, I came across this excellent footage from the 1965 parade (the one that helped do in Novotný), in which Allen Ginsberg somehow materializes and is crowned king of the event. Ginsberg brags about this in the Dylan documentary No Direction Home, but I’d never known exactly what he was talking about before. Now, normally, I find Allen Ginsberg the second-most annoying person alive after Ray Manzarek, but you have to hand it to him here…

This clip is one of the best pieces of footage I’ve seen from the old days in Prague– in fact, I’m going to link to it again, because I think you’ll enjoy it. Watching it, you just can see the wheels starting to fall off hardline Czech socialism: the parade maintains a fig leaf of kitschy medievalism (this being the mode of public celebration approved of by the government), but underneath there’s a scarcely-concealed roiling undercurrent of hippie liberalism. It’s so nascently hippie, you can practically imagine Os Mutantes suddenly taking the stage. In this sense, its sad to watch, too, as you can sense the coming inevitability: if you were the USSR, you would have invaded this debauched satellite state too.

The Birthday Post, Part Two

This blog has a proud tradition whereby, anytime it’s my birthday, I’m allowed to drop the usual contrived charade of trying to contextualize whatever it is I want to write about and just present it as is. Thus…

Once my friend and I were watching the The Silence of the Lambs and commenting on how riveting the acting is in exchanges like this one between Anthony Hopkins and Jody Foster (click image for clip):

Suddenly, we got preoccupied by trying to image the worst two actors to cast for the role, those whose talents (or lack thereof) would most detract from the dramatic suspense. “Heather Locklear…” my friend suggested. “… And William Shatner!” I countered. I wish I had the time. energy and savvy to create a knock-off version of the above clip with Hannibal Lecter’s lines delivered in Shatner’s halting, hammy, melodramatic delivery: “THE SILENCE……….. of the lambs”.

Similarly, the only time I went to Burning Man (2004), we dutifully trooped over to watch the Man being burned, but found it off-puttingly sanctimonious and high-handed (again, click for clip):

Particularly, the new-agey, nouveau-Tibetan music being played in the background seemed to be laying it on a bit thick. After a while, to lighten the mood, we started discussing what would be the most inappropriate, mood-ruining music to pipe in through thousands of mega-watts, eventually settling on “The Heat Is On” by Glenn Fry. Subsequently, we discovered that people at Burning Man really, really don’t like it if you continuously shriek with laughter while the Man is being burned.

So, there’s my birthday wish for this year: some personal, metaphysical YouTube where these two clips exist side-by-side.

Personal Jesus?

My wife handed me three CDs from her teenage collection last night and asked, “Which one of these do you want our son to listen to in the car?” (She’s going nuts listening to the same album of kiddie songs over and over again, thus wants to introduce some variety). The options:

A. The Who’s Greatest Hits
B. Suzanne Vega
C. Depeche Mode

After a moment of serious reflection, I heard myself saying, “Depeche Mode. I want my one year-old son to ride around town listening to Depeche Mode.”

Vintage jazz covers, part four

Here’s the final installment of those classic jazz covers, another round of photo-based designs. There’s a lot to like here, but my favorite thing has to be the woodcut pelican overprinted on top of photo for Howard Rumsey’s Lighthouse All-Stars (whoever they were).

Also, it’s a shame that Jack Jones’ “I’ve Got A Lot Of Livin’ To Do” contains too many words to qualify for TK’s First and Probably Only 6-word Memoir Contest.

So long, old friend

For my money, Berlin is the best place around. A friend of mine who lives there was once describing the feeling of relief that comes over him every time he returns to Berlin after a trip– that “Ahhhh, I’m home” sensation. I thought about this for a second and said, “Actually, I feel that way and I don’t even live there.” There’s just something about the place that feels so comfortable– for a city that was once the worldwide headquarters of Evil, it sure has gotten awful hospitable in recent years. Plus, there’s tons of cool cultural stuff going on. Unfortunately, I can’t tell you about much of it because I almost never wake up before 2pm when I’m there… but it’s heartening to know that its there anyway.

Two things I did manage to do while I was there: get a burrito at the Mission-themed Tacqueria Dolores, and buy a new wallet. Here’s the spent husk of the old wallet…

… and here it is sitting next to a mostly-eaten Tacqueria Dolores burrito, having just been officially decommissioned (I did the switcheroo to new wallet while eating the burrito):

There’s nothing that you put so little time into selecting but then wind up spending so much time with as a wallet. This sad, battered one had been with me since 2004 (?) and has gradually deteriorated into the leather equivalent of a wet paper bag, loosely enwrapping its contents. When a 1000 crown note nearly fluttered out of it a few weeks ago at the beer garden, I decided it was time for a change.

Having tired of a the default black leather look, I selected a more jaunty one this time around, black with red stitching and a zippered change purse area (this is a big deal for me, as having too much change slushing in my pockets is a constant condition in my life and one that I feels undermines my general credibility). Granted, it’s a bit womanly. In fact, I think it is a woman’s wallet. But I feel good about it so far, and think that this new era of my life is off to a promising start.

Now, if only I hadn’t left my house keys in Berlin…

Bezirksmusikfest Längenfeld

I haven’t been to many places as gloriously stereotype-affirming as the Austrian Alps, where we just spent a week’s vacation. Whether you’re standing on the side of a mountain and picking wild blueberries and reaching behind your head to feed them to your infant son on your back (did this), or being hailed by every single person you pass in the village with a diminutive ‘kruste!’, or watching a lederhosen-clad band pump out polka in a giant tent (more on this in a second), everything feels predictably ‘in character’ a fun, reaffirming way. I like this photo that I took above, as — not unlike Herbert Matter’s famous tourist poster for the Swiss Alps— it seems to capture the essence of the place on three distinct spatial depths, background (Alps), mid-ground (kitschily tricked-out house), and foreground (guy with green hat, feather).

One of the most fun things we did was crash a music festival at a neighboring village– when we heard ‘Bezirksmusikfest Längenfeld’, our ears perked up and we had to go. Pulling into the village of Längenfeld, the first thing I spotted was a car parked next to us with a couple of traditional costume elements (perhaps a backup supply?) tossed carelessly in the back:

For some reason, this amused me to no end. We’ve all heard of Soccer Moms… could this signal the presence of a new demographic, the Lederhosen Mom? Sorry for the crummy, glare-riddled photo, but I was worried that the owners of the car might notice me peering in and take offense, possibly leading to me being viciously feather-whipped by a gang of Lederhosers in the mean streets of Längenfeld.

Anyway, we followed the honking sounds of revelry to a giant circus tent that was filled all the things you might expect: beer, bodices, ruddy-faced people having a great time:

The main attraction was the smooth polka stylings of local village ensemble. Here they are in poster format…

… and in the flesh:

Various brave/drunk souls offered their talents as vocalists. At one point, this guy jumped on the table in front of us and began singing into a wireless mic, to my one year-old son’s great delectation:

Back when I was about 12 years old and used to watch pro wrestling on TV sometimes, there was a villainous bald East German character who (if I remember correctly) had ‘Baron’ and ‘Von’ in his name and would goose-step around the stage and put opponents in some sort of three-fingered claw grip. I can’t remember his name, but I swear he’s the spitting image of this guy.

A few minutes later, my wife caught this surreptitious exchange between obliging fellow and thirsty lass:

I think those kegs are only intended to be worn by rescue dogs, but never mind. As you can see, a good time was being had by all, and love was in the air:

I’m off to Berlin this weekend, so perhaps I can report on a more jaded, urban, sophisticated, cynical, hipsterish aspect of the German/Austrian character when I get back.